Good, Bad… We\’re the guys with the mic.
Episode 27 kicks of with horrible segues, scriptwriting dreams, and tales of fish. The podcast then continues the JJ Abrams love from the last podcast as Chuck and Jay discuss the LOST season finale and their thoughts on waiting 9 months for the next season. Jay then expresses his desire for the new Terminator flick and Chuck concurs. The episode rounds out with some Outlander, SNL, and Incredibad
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I gotta tell ya, I looooved LOSTS’s season finale. I saw Cesar’s tweet just after the airing and I think he may have had some issues with it. Hopefully I can divulge some of the awesomeness to bring him back around.
1. We finally meet Jacob.
Excellent way to introduce this Oz-like character. Hanging on the island in maybe, what, the 1600’s? Maybe Ben can answer this question, but I am sure the type of ship sailing into the island in the first 10 minutes of the episode will give away the year. And who is the other character and what is their relationship? My bet is they’re brothers, maybe even Cane and Able. Now for those of you that listen to the podcast you’ll know I am not a very religious man, but I do find the mythology and stories surrounding christian religions (heck, any religion for that matter) fascinating. So I think I’d love to have some catholic mysticism injected here. Thoughts?
2. Jack finally gets back to form
So he finally has a purpose again…saving everyone. He has something to fix again. And in true “Jack-fashion” he’ll do whatever he needs to do to fix it. Also, I love the 180 degree turnaround in Jack’s concept of faith – the pragmatist is almost entirely gone.
Oh, there’s more… Continue reading ‘LOST’s juicy season finale’
Chuck and Jason kick off this just legal podcast with tales of Jason’s intimidating presence. LOST is back and in big way and Jason and Chuck weigh in on the total excellence that is the new season and offer their theories of what’s going on. The Superbowl movie trailers and how they completely kicked ass is up next with anticipation (or not) for GI Joe, Transformers 2, Star Trek, Fast and the Furious, Year One, Land of the Lost, Angels and Demons, and Race to Witch Mountain. The podcast concludes with Chuck’s thoughts on Benjamin Button and Jason lays down the newest DVDs.
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OK, so we’ve been given a TON of info in the episode. I love the pendulum, very cool 
. Dharma doesn’t seem to be a mystery now (to me at least). I guess they are (were) a scientific organization working on the island doing experiments with biology and electromagnetism. The one thing that I am confused about though, is are they still around? In season 1, there was a Dharma supplies drop, so they must be still around and still think they have functioning operatives on the island (at least until Keamey shows up). But they haven’t been in the story line for a while…or have they?
So here’s my theory…Widmore is Hanso. The Dharma Inititive is his company that he set up to exploit the island in his quest for power. This is why Richard and the Other-Others battled against Dharma in the past and recruited Ben to help them wipe Dharma out on the island. They want Widmore to stop the exploitation of the island. I think that after that Widmore, at some point, was banished from ever returning to the island, which is why he needed the Initiative to get back to it. I think he dedicated his life and resources to finding that Island again, and when he did (using the pendulum)
This theory also explains a little bit more about the confrontation with Ben and the we-can’t kill-each-other pact they have. Ben clearly made a deal with Widmore after Richard assisted him in destroying the Dharma Initiative on the island. What tht deal is, is still a secret, but I am sure we’ll find out.
Think about it, Widmore protects his interests in the island by masquerading as Alvar Hanso. That way he can keep his legitimate enterprises going, while he keeps the more clandestined “Island” business going.
Thoughts?
Yes that’s right! Unfortunately he’s stuck back when Russo crashed on the island so this is going to be interesting. It’s funny though how he always gets into situations where language plays a part. All of his main storylines revolve around it (especially Sun’s sneaking around and learning english). I’m excited to see him back and I’m intrigued about this. So is Jin now at the same time as Sawyer, Locke and crew? Has he been shifting the whole time, just out of it?
Also, as pointed out by Doug in a previous comment, Miles is indeed the baby son of the Dharma Initiative instructional film guy (what IS his name?). This was clinched this episode with Faraday’s comment about length of time on the island affecting the neuro-disorder with the time jumps.
I saw Ben being the catalyst for the blood sample debacle a mile away, it seemed like a logical way to get Kate to WANT to leave and go back to the island. Still curious about Ben’s end-game though.
It is also clear now that Jack is back to his old tricks. He told Kate that he “could fix this.” This of course goign back to Jack’s need to fix anything broken. He now has a purpose and that singularity that he exhibits to confront this purpose is back in full swing.
Best line this episode: “Who was that?” asks Syaid…”My lawyer.” says Ben, in a matter-of-fact tone that was perfect.
Good episode.
As Episode 20 kicks off, Jason and Chuck realize that the iconogeek podcast is indeed 1year old. Happy Birthday to us! First stop Jason gets infected by the Zombie virus and proceeds to play every PS3 game he owns, finishes and shows his love for Metal Gear 4, Fable2, and Dead Space. Chuck then geeks out on his Nikon D40x DSLR and goes back to highschool as he and Jason bond over fstops.
Chuck’s childhood Jedi collaborator stops and becomes a believer in Guitar Hero World Tour (Chuck’s new favorite distraction)
Chuck and Jason then run through the great crop of TV. Battlestar Galactica is back, Chuck eats his words, and Jason drops a hint about a new BSG spinoff. Jason makes Chuck’s day by delivering some great Watchmen news and teases some new trailers: Franklyn, Outlander, Crank 2, and Taken.
So, just as I finished telling myself “They’re giving us all the answers! Time travel, they’re unstuck, Ben did it, they need to get back and save everyone.” LOST throws me a curve and does what it does best – gives some answers and leaves even more questions.
So here are some thoughts:
OK, that’s it, not a very substantive post, but I had to do a bit of a brain dump. OK, gotta run and catch some Z’s.
So last night was the premiere of Fox’s new JJ Abrams’-produced “Fringe”. I’ll start by saying that Fringe is like a cross between X-Files, Lost, and 24. Allow me to expand on that statement.
Fringe is like X-Files because of it’s basic premise. Crazy things are happening and it’s up to a wiley boy/girl team to get to the bottom of all the craziness. You have your stiff, enigmatic government suit who is in charge, some interesting side characters, but truly the focus here is on Anna Torv’s “Olivia Dunham” and Joshua Jackson’s “Peter Bishop.” Olivia is the FBI Agent who doesn’t believe but really does. Bishop is the skeptic scientist. Oh yeah, and the whole conspiracy theory stuff.
Fringe is not like X-Files because of it’s basic acceptance of these strange things. Where the X-Files showed you the baddies and crazy things, essentially Mulder was the only one that saw this stuff. Even when Scully was getting abducted, she still held fast to disbelief. This show goes for the gusty and puts it all out there – melting people? Check. Bad guy with a motive? Check. Interesting twist? Check. Continued intrigue? check. Everybody sees they crazy stuff? Check. The basic idea here is wrapped around science, no aliens here and I like that. I wouldn’t be surprised if Hanso makes an appearance.
Fringe is like LOST because of JJ Abram’s and his amazing storytelling sensibilities. Abrams certainly comes from the Joss Whedon school of tough female leads and I like that. All of his heroines are believable and multi-faceted (Kate and Sydney anyone?). Fringe shares a common soundtrack with LOST especially on the outros to a break. The crescendo of dissonance is a welcome reminder that this show is really not all in your face…you do need to look deeper (if you dare Muuuhhahawahawhhwhwhaaa).
Fringe is not like LOST because it wrapped up the first story in the Premiere! Seriously, a nice complete, contained story with a lead-in to a larger enjoyable story arc. Good thing too, because I think my brain only has room for one LOST right now, and I’m still recuperating from last season.
Fringe is like 24 because it’s heroine will do anything to save the people she loves. I mean…well you’ll see, if you didn’t catch the Premiere, Fox is airing an encore (check your local listings). Just like when Jack Bauer gets in all sorts of insane situations (torture, etc.) Olivia jumps into dangerous situations no questions asked (or very little for that matter) – It’s Bishop that is the voice of reason.
Fringe is not like 24 because right now it doesn’t suck. Ever since they killed off Dennis Haysbert’s Palmer, I was done.
In the end, I enjoyed Fringe, it provided a welcome escape from a stressful day and gave me enough thrills and homages to keep me entertained. A couple notable items:
My only gripe with the Premiere is that by the end of it, the characters where a little too neat and wrapped up. I know they want to get the stories moving, but I would have liked to see a little more strife, it was a little bit predictable.
On a whole, I’m going to give the Premiere of Fringe a 7. I think it was a solid opener with some complicated plot points, but all-in-all, I think they pulled it off. I’ve set a season pass on TiVo and I will continue to watch.
Well, what do you think?
Now back on track with the iconogeek Summer Movie Preview, Chuck and Jason are fit to discuss June’s movies. But first, Chuck’s new puppy “Juno” and Jason’s new kitten “Niko” are the topic of conversation. Chuck’s wife Michele finally comes to the dark side. Wired validate’s Chuck’s truths on New York pizza and the discussion turns to why our pets and children are named after movie characters. Steven Segal is awesome and why cockpunching is the funniest thing ever.
Don’t mess with the Zohan is up first and Chuck appreciates Sandler’s non-traditional lead character while Jay theorizes that Naveen Andrew’s “Sayid” on LOST was the forerunner of kick-ass foreign characters that, in fact, kick-ass.
Next Chuck and Jay discuss Zohan and Kung Fu Panda, followed by the Incredible Hulk as Chuck explains why he doesn’t like “shiny” superhero movies and Jason experiences directorial gender confusion. The show wraps with the Happening and a discussion of why the “R” is such a big deal.
Links discussed:
The Cockpuncher Trailer
Red Band Trailer for The Happening
OK, I’ll post more later after I re-watch the episode, but it was damn cool. I gotta say, I feel satisfied with the episode. I’m not chomping at the bit for next season because I really just want to mull over EVERYTHING for the next couple of months and get prepared. They gave SO much info it’s a bit overwhelming.
****** POSSIBLE SPOILERS ***********
First tidbit: the call that Kate received was backwards. Here’s the reversed audio.
Second Tidbit: Alternate endings to hide who was in the coffin.
Random Thoughts:
OK, more later, too much to think about. Oh yeah, this ep gets a 10. No question. Cliffhangers, answers, questions…all good.
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